Spotted Peccary Music is proud to present Interdwell, the debut album from the group Dark Sky Alliance, comprised of music industry veterans percussionist Jerry Marotta (Peter Gabriel, Indigo Girls), keyboardist Rupert Greenall (The Fixx), soundscaping synthesist Eric “the” Taylor, and cinematic sound-maestro guitarist David Helpling. This visionary premiere is a feat of sonic storytelling, each composition a different scene.

Hidden in Interdwell’s kaleidoscopic sound are shades of all their past work: new wave guitar flourishes, tribal ambient percussion, richly layered synth-beds, Hans Zimmer- esque cinematic crescendos—but here, they coalesce into something uniquely vivid and bracingly original, something the members of Dark Sky Alliance could only make together.

Interdwell’s twelve compositions draw inspiration from the personal and the cosmic, the natural world and the fantastical. The album’s first epic opens with “Fortunate One” featuring chanting from the late Sonam Targee plus guitar from Jamie West-Oram (The Fixx) and builds layer upon layer from there. Halfway through, a propulsive bass groove entwines with Targee’s chants, shifting from melancholic to euphoric, a celebration of the time we’re gifted with those we love.

“Warm Inlet” was inspired by a view of the Adirondacks on 7th Lake that can only be seen by boat; new wave guitar warbles paint the glimmering whitecaps, a steady bassline the powerful undercurrent, with Vangelis-esque synth chords the sun on the mountain peaks.  Both Sonam and Jaime return as special guests on this track. 

Ambient pioneer Robert Rich adds flute, snth and piano contributions to “The Desert Mind“, “Interdwell” and “The Far Cry“.  Adding some vibes to “Latch” and “Interdwell” is special guest Joe Locke.

Dreamlike and reflective, “The Slow Train Home,” was born from Eric “the” Taylor’s first ever recording session with Marotta and bassist Tony Levin (Peter Gabriel, King Crimson) over 20 years ago. Levin’s emotive upright bass glides through an electronic landscape both airy and rich, a traveler watching the hills roll by.

The title track takes the listener beyond Earth, depicting humanity’s journey through space: the tribal march of Marotta’s percussion as a voyager, shimmering sequencers as stars through the viewport, anthemic electric guitar as a starship’s acceleration, a distant destination finally reached.